La Bamba Capital
| La Bamba | |
|---|---|
| Directed by | Luis Valdez |
| Produced by | Taylor Hackford Bill Borden |
| Written by | Luis Valdez |
| Starring | |
| Music by | Carlos Santana Miles Goodman |
| Cinematography | Adam Greenberg |
| Edited by | Sheldon Kahn Don Brochu |
| Distributed by | Columbia Pictures |
| July 24, 1987 | |
Running time | 108 minutes |
| Country | United States |
| Language | English |
| Budget | $6,500,000 |
| Box office | $54,215,416 |
La Bamba is a 1987 American biographical film written and directed by Luis Valdez that follows the life and career of Chicanorock 'n' roll star Ritchie Valens. The film stars Lou Diamond Phillips as Valens, Esai Morales, Rosanna DeSoto, Elizabeth Peña, Danielle von Zerneck, and Joe Pantoliano. The film also covers the effect that Valens' career had on the lives of his half-brother Bob Morales, his girlfriend Donna Ludwig, and the rest of his family. In 2017, La Bamba was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress being deemed 'culturally, historically, or aesthetically significant' and recommended for preservation.[1][2]
La Bamba eventually grossed $52,678,820 in the United States in 12 weeks. Critical response. Roger Ebert liked the film and the screenplay, writing, 'This is a good small movie, sweet and sentimental, about a kid who never really got a chance to show his stuff. The best things in it are the most unexpected things: the portraits of everyday life.
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Plot[edit]
La Bamba Capital One
Richard Steven Valenzuela (Phillips) is a normal teenage boy who becomes a rock 'n' roll superstar under the stage name Ritchie Valens. He meets and falls in love with fellow high school student Donna Ludwig (von Zerneck), for whom he wrote a song that became a number two hit ('Donna'). However, Donna's father is shown as having issues with his daughter dating a Mexican-American, which causes friction between Ritchie and Donna. The movie also has several subplots, such as his relationship with his mother Connie Valenzuela (DeSoto) and half-brother Bob Morales (Esai Morales), and the jealousy Bob felt toward Ritchie because of Ritchie's success.
In one scene, Bob won an important art contest that helps promising cartoonists, only to throw away his prize because, in his mind, his mother doesn't seem to care enough. Bob resorts to drinking heavily and, at one point, leads him to yelling in a drunken rage in front of his mother's door, 'I want to see my daughter!' in reference to the child he sired with Ritchie's first girlfriend Rosie (Peña).
However, when they get an opportunity, Ritchie and Bob sneak out for a good time. On one occasion, they take a road trip to Tijuana, visiting one of the local nightclubs where Ritchie discovers the song that would eventually become his signature song, 'La Bamba'.
The film also focuses on Ritchie's aviophobia (fear of flying), triggered by a recurring dream he has as a result of a midair collision between two planes that actually occurred directly over Ritchie's school, in which Ritchie's best friend was crushed to death by one of the fallen aircraft (Ritchie was absent from school that day to attend his grandfather's funeral). At first, Ritchie manages to avoid flying to his concerts and appearances; but he must eventually conquer his fear when invited to perform his song 'Donna' on American Bandstand. Ritchie's record producer and manager, Bob Keane (Pantoliano), helps him by giving him a little vodka to calm his nerves during the flight to Philadelphia for the Bandstand appearance.
As Ritchie becomes more famous, his responsibilities change, and eventually he must join the ill-fated Winter Dance Party tour with Buddy Holly (Marshall Crenshaw) and 'The Big Bopper' (Stephen Lee) after his hits, 'La Bamba' and 'Donna', reach the top of the Billboard charts.
Valens, Holly, and Bopper take off in an airplane during a snowstorm for their fateful flight on February 3, 1959, (the night that came to be known as 'The Day the Music Died'). Before the ill-fated flight, Ritchie makes a call to his brother, wherein they patch up their differences. He even invites Bob to fly out to Chicago to join the tour for family support.
The next day, as Bob is fixing his mother's car, he hears the news bulletin on the radio that his brother's plane crashed without any survivors. Bob darts out of his driveway in an attempt to get to his mother before she hears the bad news through the radio. Unfortunately, by the time he gets there, she stands immobile. The news hits the Valenzuela family, Bob Keane, and Donna very hard. In the final scene, the cars to Ritchie's funeral are shown driving slowly into San Fernando Mission Cemetery and Bob is then seen walking across a bridge and screaming out Ritchie's name, remembering all the good times they had together (in flashback), accompanied by the Santo & Johnny instrumental 'Sleep Walk'.
Lou Diamond Phillips (as Valens), is then shown backed by the Mexican American rock band Los Lobos, performing Valens' version of 'La Bamba' accompanied by the closing credits.
Cast[edit]
- Lou Diamond Phillips as Ritchie Valens
- Esai Morales as Roberto 'Bob' Morales (Ritchie's half-brother)
- Rosanna DeSoto as Connie Valenzuela (Ritchie's mother)
- Elizabeth Peña as Rosie Morales
- Danielle von Zerneck as Donna Ludwig
- Joe Pantoliano as Bob Keane
- Rick Dees as Ted Quillin
- Marshall Crenshaw as Buddy Holly
- Howard Huntsberry as Jackie Wilson
- Brian Setzer as Eddie Cochran
- Stephen Lee as The Big Bopper
- Sam Anderson as Mr. Ludwig (Donna's father)
Also featured are several members of the Valenzuela family and director Luis Valdez's family, including:
- Concepcion Valenzuela (the real Connie Valenzuela, Ritchie's mother) as the older woman sitting next to Ritchie at a party
- Daniel Valdez (Luis' brother) as Ritchie's Uncle Lelo
Background[edit]
This production had the full support of the Valenzuela family. The real Bob Morales and Connie Valenzuela came to the set to help the actors portray their characters accurately, and Connie (in life known as 'Concha') makes a cameo appearance as an older lady sitting next to Ritchie at the family's first party.
Phillips bonded with the Valenzuelas and, at one point, actually became Ritchie to them. Such as was the case when an incident involving Ritchie's real-life sister Connie Lemos occurred that disrupted the screening of the film. When at the screening she saw Phillips (as Valens) boarding the plane for the ill-fated Winter Dance Party flight; Lemos, who was only six years old at the time of the crash, was said to hysterically grab onto Phillips and shout, 'Don't go Ritchie! Please don't get on the plane! Why did you have to die?' Lemos later admitted on VH-1's Behind the Music that she realized at that moment that she never fully accepted her brother's death.
The original title of this film was 'Let's Go', named for Valens' hit song: 'Come On, Let's Go!'
All of Ritchie Valens' songs were performed by Los Lobos. The band has a cameo in the movie wherein they sang in the brothel ballroom in Tijuana. Brian Setzer has a cameo as Eddie Cochran performing 'Summertime Blues' onstage, while Howard Huntsberry starred as singer Jackie Wilson in the film, singing a cover of 'Lonely Teardrops,' which was on the soundtrack LP. Marshall Crenshaw plays Buddy Holly performing 'Crying, Waiting, Hoping' at the final concert in Clear Lake, Iowa.
Ritchie Valens was only 17 years old when he died, eight months after he signed to Del-Fi Records and produced three songs that hit the Billboard Hot 100 chart. Don McLean immortalized Ritchie and his friends' deaths as 'The Day the Music Died', when he chronicled his reaction to hearing about the plane crash in his song 'American Pie'.
Distribution[edit]
The film opened in wide release in the United States on July 24, 1987. In the Philippines, it premiered on September 10, 1987.[3] In Australia it opened on September 17, 1987.
In its opening weekend, the film grossed a total of $5,698,884. La Bamba eventually grossed $52,678,820 in the United States in 12 weeks.[4]
Critical response[edit]
Roger Ebert liked the film and the screenplay, writing, 'This is a good small movie, sweet and sentimental, about a kid who never really got a chance to show his stuff. The best things in it are the most unexpected things: the portraits of everyday life, of a loving mother, of a brother who loves and resents him, of a kid growing up and tasting fame and leaving everyone standing around at his funeral shocked that his life ended just as it seemed to be beginning.'[5]
Janet Maslin, writing for The New York Times, was impressed with Lou Diamond Phillips' performance, and wrote, 'A film like this is quite naturally a showcase for its star, and as Valens, Lou Diamond Phillips has a sweetness and sincerity that in no way diminish the toughness of his onstage persona. The role is blandly written, but Mr. Phillips gives Valens backbone.'[6]
The review aggregator Rotten Tomatoes reported that 91% of critics gave the film a positive review, based on forty-three reviews. The site's consensus states: 'Elevated by a perceptive performance by a perfectly cast Lou Diamond Phillips, La Bamba distills its subject's creative energy -- and reflects his music's enduring appeal.'[7]
Accolades[edit]
Wins
- Broadcast Music Incorporated: BMI Film Music Award, Carlos Santana and Miles Goodman; 1988.
Nominations
- Golden Globe Award: Best Motion Picture, Drama; 1988.
Soundtrack[edit]
References[edit]
- ^'2017 National Film Registry Is More Than a 'Field of Dreams''. Library of Congress, Washington, D.C. 20540 USA. Retrieved 2020-11-18.
- ^'Complete National Film Registry Listing Film Registry National Film Preservation Board Programs at the Library of Congress Library of Congress'. Library of Congress, Washington, D.C. 20540 USA. Retrieved 2020-11-18.
- ^'Opens Today'. Manila Standard. Standard Publishing, Inc. September 10, 1987. p. 10. Retrieved December 30, 2018.
- ^The Numbers box office data. Last accessed: November 27, 2007.
- ^Ebert, Roger. Chicago Sun-Times, film review, July 24, 1987.
- ^Maslin, Janet. The New York Times, film review, July 24, 1987.
- ^La Bamba at Rotten Tomatoes. Last accessed: February 9, 2011.
External links[edit]
| Wikiquote has quotations related to: La Bamba (film) |
- La Bamba at IMDb
- La Bamba at the TCM Movie Database
- La Bamba at Rotten Tomatoes
- La Bamba trailer on YouTube
Having grown up on a farm in Veracruz, Mexico, Ana Rosa says that she has been baking her whole life. Her baking career started in earnest when she was 11 years old. Her mother taught her to make traditional breads and baked goods using a hand-built, wood-fired oven. “Nothing can compare to that flavor,” says Ana Rosa. Though she can’t replicate the exact flavors of her childhood here in Minnesota, she is giving the local Latinx community a taste that feels pretty close to home.
La Bamba Capital City
La Bamba Bakery and Grocery in Hopkins is a community corner shop specializing in baked goods, groceries, and home supplies. Though they have only been open for a few months, the business is already gaining traction among locals. The area Latinx population is thrilled to have a local spot that they can walk to. “Not many Latinas in our community own their own car,” says Ana Rosa’s daughter, Samantha. “We see people walk out of the neighborhood right next to us every Saturday morning to come shop,” she adds. La Bamba has also received praise from others in the community, including local high school students who stop in because they heard about the bakery via social media.
While Ana Rosa does most of the baking, the family-owned business is run by her daughter, Samantha, and son, Oscar. Samantha manages many of the logistical aspects of running the business and when she needed extra money to get their storefront up and running, she reached out to WomenVenture’s Training Manger, Yolanda Cotterall. In partnership with the Latino Economic Development Center (LEDC), WomenVenture provided the capital that allowed La Bamba to complete the build-out of the store and purchase shelving and equipment.
La Bamba Calories
The support and encouragement that they received from WomenVenture throughout the loan process really made the difference for La Bamba. “We had been trying to start our business for three years,” says Ana Rosa. “Having Yolanda tell us ‘you can do this!’ was like a dream come true.” In addition to the loan, WomenVenture also connected La Bamba with a volunteer lawyer that helped them navigate a naming issue.